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Printing Roots

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An exhibition
07/08/2008

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Liz, contemplating corn and listening to Low.

I draw inspiration from lost roots, genealogy, old urban and farm architecture, residential history, sociological photography, the Midwest at night, resistance fighters, people that get me in the gut, ghosts, and music that settles somewhere between my sternum and abdomen.

These samples of my work are collagraphs—which is my favorite printmaking technique involving mounting materials onto a plate (made of cardboard, metal, etc…) and then (usually) pulling it on a press.

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Part Elie Wiesel and part Low’s “Long Division” album. My Mom thinks it looks like a house on fire.

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These are a couple of giraffes. You know, just the coat hanger antler things on the tops of their heads. Nothing deep. It's funny because I get the most emotional responses to this one—people think it's about abandonment, or a relationship splitting up.

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I was listening to “Extended Play Two” by Broadcast a lot. It was an eyelash-freezing winter, I was hulled up in the house and had the CD on repeat.

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This one was inspired by a friend.

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I used to love pulling the silk off of the ears of corn with my Mom on the back porch in the summer. I have a deep, deep place in my heart for Midwestern Moms.

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Chunk of downtown.

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Elie Wiesel walking the streets of the Loop. I would totally buy him a hot dog. Kosher, of course.

Liz Weinstein was bred in Oak Park and buttered in Chicago. She's currently living as a Hausfrau in Germany but still refuses to iron the sheets. Her obsessions include record collecting, WWII memoirs, snapshots and printmaking. She's also a graphic designer.

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